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In fact, most amplifiers had accordion inputs throughout the 1960s, and Ampeg amps were never really marketed to rock players until Hull left the company in 1968.
Ampeg went through numerous ownership changes over the next two decades with Unimusic taking over in 1967, Magnavox in 1971, and MTI in 1980. Louis Music bought Ampeg in 1985 and finally returned some stability and respect to the brand.
In fact, Ampeg offered a heavy-duty four-wheel dolly for these amps that became standard equipment on later models.
Ampeg was purchased by LOUD Technologies in 2005, and in 2010, they introduced the new Heritage Series that is produced in the US.
Also, do you know of where I could get a replacement Lucite plate? Art Pittsburgh, Pennsylvania Hey Art, Ampeg’s B-15 is one of my all-time favorite amps, not only because of its fantastic tone and universal application, but also because of its unique design and versatility.
While Ampeg founder Everett Hull didn’t reach the success that Leo Fender achieved, they were two of the most innovative men in the guitar industry between the 1940s and 1960s.
Hull was not a fan of rock ’n’ roll music and never designed an amp for this genre.
Therefore, power ratings were very conservative and Ampeg discouraged users from increasing volume to the point where they distorted.Separate head and speaker cabinet systems, often referred to as piggybacks, became a solution in the early 1960s, but it also negated the portability of the combo.